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Pixel Poetry review

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  • Pixel Poetry review

    Games documentaries, it seems, are much like the proverbial buses. You wait years for one, and then loads turn up at once. Having had the doors kicked in by the likes of King of Kong and Indie Game: The Movie, we're now experiencing something of a glut of factual films about gaming, all seemingly intent on proving the artistic worth of the medium.
    Pixel Poetry is the latest, and it would seem to have several advantages. Not least, distribution from Devolver Film, the video arm of games publisher Devolver Digital. From Hotline Miami and Gods Will Be Watching to Titan Souls and Hatoful Boyfriend, Devolver is to games as Warp Records is to music, curating a catalogue of interesting, genre-bending projects with an eye to the experimental and ingenious, while also branching out into other media like film.
    The participants, too, promise great things from Pixel Poetry. Warren Spector has long been an outspoken commentator on both the value and potential of games. Kellee Santiago, formerly of thatgamecompany, helped to bring games like Flower and Journey to PlayStation, thus dragging the "games as art" debate into the console spotlight. Similarly, Jan Willem Nijman of Vlambeer and Ian Dallas of Giant Sparrow are both freshly minted stars of the indie scene who can speak from personal experience. The more corporate side of the equation is covered by EA's Gordon Walton and Feargus Urqhart from Obsidian.
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